Everyday Ink

  March 2023, Yeachin’s work “Dragon’s Play 03”, mentioned by the renowned architecture magazine AD, Italy. Read the full article : “In the living room, an antique French mirror in the Louis XVI style, carved and gilded, with a full-height frame is positioned on the wall. The living room consists of a pair of vintage Italian velvet armchairs and the Soriana sofa by Acarfra and white fabric Stipa shores. The artwork on the mantelpiece is Yeachin Tsai’s Dragon’s Play 03.” Dragon’s Play. Acrylic on paper. 30 x 22 in. ©Yeachin Tsai

 The mind of meditation leads to the meditative lines. Acrylic on rice paper, 38 x 24 inches. @ Yeachin Tsai Fine Art

We can be awake at any given moment, in everything we do. Original etching of abstract marks of vibrant purple and turquoise green. Limited edition of 50. The image size (plate size) is 6 by 6 in. With the paper and double mats the size is 20 by 16 in. Ready to put in a ready-made frame. Original etching. 6 x 6 in. Purchase this piece on Etsy

YEACHIN TSAI  CH.89 :  If you were to categorize or describe the style of your artwork, what would it be and why? YT:  I do many different types of work. If I try to categorize them, I would say they are mainly abstract, but rooted in tradition, and informed by nature. CH.89 :  Where do you draw your inspiration from? YT:  Mostly nature. And of course the energy patterns in nature. CH.89 :  Can you talk a little bit about what your creative thought process is like when starting a new project/ piece of artwork? YT:  I start from a mind vision most of the time. In other words, the images are born already; they just need to be shown. CH.89 :  Is there anything in particular that you would want people to take from your artwork? YT:  I hope people can get in touch with a vast space when they see my artwork—a gap in our crowded, tangled mind...... To read the full interview, to to: Chapter 89 online contemporary ...

“Without Beginning or End” The Trans-Temporal Art of Yeachin Tsai Robert R. Shane The Contentment of Mr. Orange, 2015, acrylic on paper “The circle… is the synthesis of the greatest oppositions… it points most clearly to the fourth dimension.” —Vassily Kandinsky A blazing cadmium red-orange circle pulsates with mesmerizing force in Yeachin Tsai’s painting  The Contentment of Mr. Orange  (2015) from the artist’s series “Dot in the Space.” Compared to the small gray spot just off-center within its body, the orange circle looks unfathomably large, recalling graphic representations comparing size of the Sun to the Earth. The orange form’s fuzzy borders give the sense that this monumental circle’s energy is ready to burst outward, a force countered only by the inward gravitational pull of its mass. Floating in a dull yellow and gray void, the circle seems to exist in a no-place and a timeless no-time, but its phenomenal impact on the viewer situates it in the ...